Mediaeval Baebes, Worldes Blysse (1998): Song Meanings and Origins

The Mediaeval Baebes are the primary call on the lips of each tune lover who appreciates a lush, heady medieval ecosystem. They’ve featured prominently within the soundtrack of virtually every celebration I actually have hosted. I am fiercely captivated with medieval music, and maximum of my buddies can inform you about how I’ve cornered them after a few drinks to inform them about the actual origins approximately this or that Mediaeval Baebes track. So I decided it turned into time to devote a number of this geeky enthusiasm to the web page, get it out of my machine, and keep my friends from my ranting and raving.

This collection of articles explores the Mediaeval Baebes’ discography, briefly discussing the origins and records of the tune they’ve drawn upon to create their traditional recordings. This one will cognizance on their album Worldes Blysse, launched in 1998.

First off, it’s miles worth mentioning that Worldes Blysse simply is composed specifically of unique music. Of the sixteen tracks, eleven of them (Kinderly, All Turns to Yesterday, Love Me Broughte, Beatrice, Waylaway, When Thy 인천다국적 Turuf Is Thy Tour, Erthe Upon Erthe, Passing Thus Alone, Pearl, Swete Sone, and How Death Comes) are unique settings of period poetry. Of the remaining five, 2 were aggressively reworked. This is hardly a medieval album, therefore.

I have not been capable of track down the origins of all the medieval poetry used in those compositions, so I will skip over those tracks about which I don’t have anything exciting to say. Readers, as continually, if you realize some thing I do not, please leave a comment.

3. Love Me Broughte

The source for those lyrics is the 1372 ebook of Middle English poetry entitled The Commonplace Book of John Grimstone. It is a love music from Christ to humanity.

Four. Beatrice

This is an authentic setting of an excerpt from Dante’s Inferno. The language is Tuscan.

5. Ecci Mundi Gaudium

This is a thirteenth-century Anglo-Norman Christmas tune, and, apparently, its supply is the very same manuscript that is the source for the Baebes tune Salva Nos (the identify track from their first album).

7. Alba

This track is nicely referred to as Reis glorios, and became written via the troubadour Guiraut de Bornelh (1138-1215). It is one of the maximum lovely of the troubadour melodies. The troubadours were the poet-musicians of southern France, who wrote and sang in Occitan (now a dead language), and are the forefathers of the whole western subculture of love songs and poetry. I actually have high-quality love for this track specifically, and I’m truly working on a recording of it myself. So please keep all of that that in mind when I say that I can’t stand what the Mediaeval Baebes did to it. They artificially imposed a 3/4 rhythm on it, which saps the beauty of the melody and the syntax of the poetry. Their pronunciation is terrible and their delivery completely without emotion. I inspire you to test out different recordings of this beautiful music. You can locate lots of them on YouTube, though many are instrumental. The band Estampie does a suitable, though very non-conventional, rendition.

Eight. When Thy Turuf Is Thy Tour

This is an original placing by Blake of a Middle English poem, certain #232 in Luria and Hoffman’s Index of Middle English Verse. The problem is mortality, decay, and the irrelevance of earthly pleasures after death.

Nine. Erthe Upon Erthe

This is a very beautiful recording. The lyrics are a Middle English poem that has survived in 24 manuscripts with many variations, the earliest of which dates again to the 14th century. This recording represents a version of the poem from circa 1440.

10. Passing Thus Alone

This is a macabre fragment from an English broadside ballad, An wonderful Ballad of a Prince of England’s Courtship to the King of Frances Daughter, and the way the Prince become disasterously (sic) slain; and how the afore-said Princess became afterwards married to a Forrester. It recounts the historic activities surrounding King Ethelwulph of England’s courtship of Charles the Bald’s daughter, Judith. The ballad became intended to be sung to the track of Crimson Velvet, but this recording functions any other unique putting.

The Mediaeval Baebes are the primary call on the lips of each tune lover who appreciates a lush, heady medieval ecosystem. They’ve featured prominently within the soundtrack of virtually every celebration I actually have hosted. I am fiercely captivated with medieval music, and maximum of my buddies can inform you about how I’ve cornered them after a few drinks to inform them about the actual origins approximately this or that Mediaeval Baebes track. So I decided it turned into time to devote a number of this geeky enthusiasm to the web page, get it out of my machine, and keep my friends from my ranting and raving. This collection of articles explores the Mediaeval Baebes’ discography, briefly discussing the origins and records of the tune they’ve drawn upon to create their traditional recordings. This one will cognizance on their album Worldes Blysse, launched in 1998. First off, it’s miles worth mentioning that Worldes Blysse simply is composed specifically of unique music. Of the sixteen tracks, eleven of them (Kinderly, All Turns to Yesterday, Love Me Broughte, Beatrice, Waylaway, When Thy 인천다국적 Turuf Is Thy Tour, Erthe Upon Erthe, Passing Thus Alone, Pearl, Swete Sone, and How Death Comes) are unique settings of period poetry. Of the remaining five, 2 were aggressively reworked. This is hardly a medieval album, therefore. I have not been capable of track down the origins of all the medieval poetry used in those compositions, so I will skip over those tracks about which I don’t have anything exciting to say. Readers, as continually, if you realize some thing I do not, please leave a comment. 3. Love Me Broughte The source for those lyrics is the 1372 ebook of Middle English poetry entitled The Commonplace Book of John Grimstone. It is a love music from Christ to humanity. Four. Beatrice This is an authentic setting of an excerpt from Dante’s Inferno. The language is Tuscan. 5. Ecci Mundi Gaudium This is a thirteenth-century Anglo-Norman Christmas tune, and, apparently, its supply is the very same manuscript that is the source for the Baebes tune Salva Nos (the identify track from their first album). 7. Alba This track is nicely referred to as Reis glorios, and became written via the troubadour Guiraut de Bornelh (1138-1215). It is one of the maximum lovely of the troubadour melodies. The troubadours were the poet-musicians of southern France, who wrote and sang in Occitan (now a dead language), and are the forefathers of the whole western subculture of love songs and poetry. I actually have high-quality love for this track specifically, and I’m truly working on a recording of it myself. So please keep all of that that in mind when I say that I can’t stand what the Mediaeval Baebes did to it. They artificially imposed a 3/4 rhythm on it, which saps the beauty of the melody and the syntax of the poetry. Their pronunciation is terrible and their delivery completely without emotion. I inspire you to test out different recordings of this beautiful music. You can locate lots of them on YouTube, though many are instrumental. The band Estampie does a suitable, though very non-conventional, rendition. Eight. When Thy Turuf Is Thy Tour This is an original placing by Blake of a Middle English poem, certain #232 in Luria and Hoffman’s Index of Middle English Verse. The problem is mortality, decay, and the irrelevance of earthly pleasures after death. Nine. Erthe Upon Erthe This is a very beautiful recording. The lyrics are a Middle English poem that has survived in 24 manuscripts with many variations, the earliest of which dates again to the 14th century. This recording represents a version of the poem from circa 1440. 10. Passing Thus Alone This is a macabre fragment from an English broadside ballad, An wonderful Ballad of a Prince of England’s Courtship to the King of Frances Daughter, and the way the Prince become disasterously (sic) slain; and how the afore-said Princess became afterwards married to a Forrester. It recounts the historic activities surrounding King Ethelwulph of England’s courtship of Charles the Bald’s daughter, Judith. The ballad became intended to be sung to the track of Crimson Velvet, but this recording functions any other unique putting.